翻訳と辞書
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・ String skipping
・ String symphonies (Mendelssohn)
・ String theory
・ String Theory (band)
・ String theory (disambiguation)
・ String Quartet No. 16 (Beethoven)
・ String Quartet No. 16 (Mozart)
・ String Quartet No. 17 (Mozart)
・ String Quartet No. 18
・ String Quartet No. 18 (Mozart)
・ String Quartet No. 18 (Spohr)
・ String Quartet No. 19
・ String Quartet No. 19 (Mozart)
・ String Quartet No. 19 (Spohr)
・ String Quartet No. 2
String Quartet No. 2 (Babbitt)
・ String Quartet No. 2 (Bartók)
・ String Quartet No. 2 (Beethoven)
・ String Quartet No. 2 (Borodin)
・ String Quartet No. 2 (Carter)
・ String Quartet No. 2 (Dvořák)
・ String Quartet No. 2 (Glass)
・ String Quartet No. 2 (Haas)
・ String Quartet No. 2 (Janáček)
・ String Quartet No. 2 (Kernis)
・ String Quartet No. 2 (Ligeti)
・ String Quartet No. 2 (Mendelssohn)
・ String Quartet No. 2 (Nielsen)
・ String Quartet No. 2 (Piston)
・ String Quartet No. 2 (Prokofiev)


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String Quartet No. 2 (Babbitt) : ウィキペディア英語版
String Quartet No. 2 (Babbitt)
String Quartet No. 2 (1954) is the second of six chamber-music works in the string quartet medium by the American composer Milton Babbitt.
==Analysis==
Its form evolves from and expounds features of a basic twelve-tone series.
The pitch material is developed gradually in the opening bars. An interval of a rising minor third predominates in bars 1–3, followed by a concentration on falling major thirds in bars 4–6. The following bars continue in this way, presenting a single interval or pair of intervals, beneath which groupings defined by dynamics and register develop patterns suggested by these intervals, eventually involving all aspects of the musical structure. The quartet alternates such sections of intervallic exposition with sections that develop the intervals presented up to that point, until eleven different ordered pitch-class intervals have been presented and developed until, in a moment referred to by Babbitt as "telling you the butler did it", the set that controls the entire musical structure is revealed by a process of "disambiguation", as Babbitt himself described it (Straus 1986, 22).

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